Course detail
Shared Interdisciplinary Theory 3
FaVU-3STV3Acad. year: 2020/2021
Interdisciplinary theory represents a core course in the doctoral program curriculum. The content of the course has been modeled along the fact that in the undergraduate and graduate programs, students obtain general knowledge of art theory and related humanities. Hence each semester of the course is adapted to a certain extent to the current individual focus of the students in the particular year and their research needs and preferences.
Language of instruction
Mode of study
Guarantor
Learning outcomes of the course unit
Prerequisites
Co-requisites
Planned learning activities and teaching methods
Assesment methods and criteria linked to learning outcomes
Course curriculum
The seminars are set up by individual Ddpartment of Theory faculty or other designated professionals who define the seminars' content in advance. Students are actively involved in the process of the completion of texts and other materials used for the seminars.
Work placements
Aims
Specification of controlled education, way of implementation and compensation for absences
Recommended optional programme components
Prerequisites and corequisites
Basic literature
Helena BENDOVÁ – Matěj STRNAD (eds.), Společenské vědy a audiovize. Praha: AMU, 2014. (CS)
Peter BURKE, Společnost a vědění II. Od Encyklopedie k Wikipedii. Praha: Univerzita Karlova – Karolinum, 2014. (CS)
Umberto ECO, Meze interpretace. Praha: Univerzita Karlova – Karolinum, 2004. (CS)
Michel FOUCAULT, Archeologie vědění (2. vydání). Praha: Hermann a synové, 2016. (CS)
Nelson GOODMAN, Jazyky umění. Praha: Academia, 2007. (CS)
Stuart HALL, Representation. Cultural Representations and Signifying Practices. London – New Dehli: Thousand Oaks – Sage, 2000. (EN)
Wolfgang ISER, Jak se dělá teorie. Praha: Univerzita Karlova: Karolinum, 2009. (CS)
Konrád Paul LIESMANN, Teorie nevzdělanosti. Praha: Academia, 2009. (CS)
Erwin PANOFSKI, Význam ve výtvarném umění. Praha: Malvern – Academia, 2013. (CS)
Veronika VEBEROVÁ – Petr A. BÍLEK – Vladimír PAPOUŠEK – David SKALICKÝ (eds.), Jazyky reprezentace. Reprezentace jako teoretický problém ve filozofii a v myšlení o umění a kultuře, v literatuře a filmu. Praha: Akropolis, 2012. (CS)
Recommended reading
Classification of course in study plans