Course detail

Media Archive Presentation - winter

FaVU-1PMA-ZAcad. year: 2016/2017

Projection - action. Works from the bordering disciplines of art "in motion" (film, happenings documentation, videoart, documentaries, etc) will be presented in 2-hour evening sessions. Students will see the material from the FFA media archive.

Language of instruction

English

Number of ECTS credits

Mode of study

Not applicable.

Guarantor

MgA. Jennifer Helia De Felice, Ph.D.

Department

Performance Studio (APE)

Learning outcomes of the course unit

The experience, information, and confrontation with the works of previous generations of artists. Students should be able to compare the documents with common narrative "industrial" film.

Prerequisites

User IT skills. Basic orientation in the history of 20th century culture.

Co-requisites

Not applicable.

Planned learning activities and teaching methods

Teaching methods depend on the type of course unit as specified in the article 7 of BUT Rules for Studies and Examinations..

Assesment methods and criteria linked to learning outcomes

credit. 600-word essay or implementation of a task inspired by a presented document.

Course curriculum

DADA (Marcel Duchamp, John Cage) MALBA, AKCE, OPERA (Yves Klein, Jackson Pollock, Salvador Dalí) POP ART (Andy Warhol, Factory, Nico + Velver Underground) VIDEOART (Vasulka's, Bill Viola) KONCEPT (Joseph Kosuth) KRUTÉ DIVADLO (Antonin Artaud) BUTOH (Min Tanaka) AKCIONISMUS (Herman Nitsch) UMĚNÍ AKCE (Piero Manzoni, Gilbert&George, Marina Abramović + Ulay) LANDART (James Turrel, Christo, Richard Long, Andy Goldsworthy) SVĚT JINÉ HUDBY (Diamanda Galás, Brian Eno, Laurie Anderson, minimalismus) FILMY TRANSU (Andrej Tarkovskij, Stanley Kubrick, Reggio) FLUXUS (Yoko Ono, Joseph Beuys, Nam June Paik, Wolf Vostell, Allan Kaprow)…

Work placements

Not applicable.

Aims

Students will learn the content of the media archive at FFA.

Specification of controlled education, way of implementation and compensation for absences

Projections are optional, but students who are absent must produce a paper corresponding with the presented document on the given session.

Recommended optional programme components

Not applicable.

Prerequisites and corequisites

Not applicable.

Basic literature

Dewey, John, Art as Experience, The Berkeley Publishing Group (EN)
Gadamer, Hans-Georg, Truth and Method, Bloomsbury Academic (EN)
Schechner, Richard, Performance Studies: An Introduction, Routledge (EN)
Stiles, Kristine, & Selz, Peter, Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings, Universtiy of California Press (EN)

Type of course unit

Seminar

26 hod., compulsory

Teacher / Lecturer

MgA. Jennifer Helia De Felice, Ph.D.