Course detail
Studio Follow-up I - Drawing and Printmaking - winter
FaVU-M1GR-ZAcad. year: 2020/2021
The course follows the rich history and tradition of classical disciplines but is neither dogmatic nor conservative. On the contrary, it encourages students to expand their conceptual understanding of traditional techniques in contemporary art. Students choose techniques according to the conceptual and technological requirements of individual projects. They work with a variety of media. Consequently, they have the opportunity to present their projects in different ways: exhibitions, publications and other formats. They are encouraged to be ambitious and to become acquainted with the progressive art scene and to present their work either independently or as a group.
Language of instruction
Number of ECTS credits
Mode of study
Guarantor
Department
Learning outcomes of the course unit
Prerequisites
Co-requisites
Planned learning activities and teaching methods
Assesment methods and criteria linked to learning outcomes
-presence and participation in all mandatory regular consultations of semester projects (once a week)
-active participation in regular atelier projects and their consequent presentation (twice per semester)
-ability to reflect/accept recommendations resulting from consultations of semester projects
-fulfilling given tasks
-participation in atelier workshops and collaborative projects
-participation in the plenary
-evident interest in contemporary art
Presence is confirmed by signing the attendance list. One unexcused absence is allowed per semester.
Atelier exam is evaluated by a commission.
Course curriculum
Schedule:
1. Definition of the topic of artistic research or the author's project (alteration in the form of a possible atelier assignment).
2. Brainstorming, artistic research, experimentation, verification, variation.
3. Presentation and defense of studio criticism.
4. Participation in all joint events - namely plain-air workshop, studio workshops, excursions and events according to the program of the entire studio.
5. Installation, presentation and defense of semestral work.
6. Participation in a public presentation on an open day.
Work placements
Aims
Specification of controlled education, way of implementation and compensation for absences
Attendance list. Proven continuous work on the school premises.
A single absence at studio consultations is allowed.
Recommended optional programme components
Prerequisites and corequisites
Basic literature
Yuval Noah Harari, Sapiens stručná história ľudstva, Aktuell (CS)
Recommended reading
Edwin Carels, Kate Macfarlane, Graphology / drawings from automatism and automation (EN)
Emma Dexter, Vitamin D: New Perspectives in Drawing (EN)
Karel Císař, Abeceda věcí (CS)
Omar Kholeif (ed.) You Are Here. Art Afer the Internet (EN)
Petra Lange-Berndt, Materiality (EN)
Tomáš Pospiszyl, Asociativní dějepis umění (CS)
Vladimír Kokolia, Slovník Grafiky 2, 2008 (CS)
Classification of course in study plans
Type of course unit
Lecture
Teacher / Lecturer
Syllabus
Seminar
Teacher / Lecturer
Syllabus