Czech

Not applicable.

Having interpreted a series of texts and written a term paper, students will imrpove their skills to set their own creative practice in the context of relevant theory of philisophy of art, architecture, new media, etc.

None.

Not applicable.

Combination of lectures and group seminars in which texts on theory and philosophy or art are selected in advance.

The non-letter grade is given upon submitting a term paper dealing with a chosen aspect of the dissertation (using relevan bibliography).

Lectures in the second cycle will thematically respond to topics related to the course attendee's dissertations.
The topic of each seminar will correspond to a different dissertation.
As the course proogresses, students, being assisted by the course instructor, will be choosing adequate texts for the analysis in class and will actively share on directing the discussion.

Not applicable.

The course aims at intertextualizing and deepening theoretical knowledge from a broad spectrum of disciplines ranging from traditional art history, contemporary art theory, new media and visual culture theory, currently formed interdisciplinary field of curatorial studies and a wide spectrum of related humanities which inform postcontemporary artistic practices.

Students obtain the non-letter grade upon actively participating in the semiars and fulfilling the assignments.

Not applicable.

Not applicable.

Erwin PANOFSKI, Význam ve výtvarném umění. Praha: Malvern – Academia, 2013. (CS)
Helena BENDOVÁ – Matěj STRNAD (eds.), Společenské vědy a audiovize. Praha: AMU, 2014. (CS)
Jacques AUMONT, Obraz (2. vydání). Praha: AMU, 2010. (CS)
Konrád Paul LIESMANN, Teorie nevzdělanosti. Praha: Academia, 2009. (CS)
Michel FOUCAULT, Archeologie vědění (2. vydání). Praha: Hermann a synové, 2016. (CS)
Nelson GOODMAN, Jazyky umění. Praha: Academia, 2007. (CS)
Peter BURKE, Společnost a vědění II. Od Encyklopedie k Wikipedii. Praha: Univerzita Karlova – Karolinum, 2014. (CS)
Stuart HALL, Representation. Cultural Representations and Signifying Practices. London – New Dehli: Thousand Oaks – Sage, 2000. (EN)
Umberto ECO, Meze interpretace. Praha: Univerzita Karlova – Karolinum, 2004. (CS)
Veronika VEBEROVÁ – Petr A. BÍLEK – Vladimír PAPOUŠEK – David SKALICKÝ (eds.), Jazyky reprezentace. Reprezentace jako teoretický problém ve filozofii a v myšlení o umění a kultuře, v literatuře a filmu. Praha: Akropolis, 2012. (CS)
Wolfgang ISER, Jak se dělá teorie. Praha: Univerzita Karlova: Karolinum, 2009. (CS)

Not applicable.