Course detail
Studio II - Drawing and Printmaking - winter
FaVU-B2GR-ZAcad. year: 2023/2024
The course builds on the initial experience with the drawing and graphics. Students use and develop acquired experience leading towards discovering new possibilities and media. Students are neither dogmatic nor conservative. Emphasis is placed on experimental author's research leading to own discoveries. The core of the course consists of regular atelier consultations, intensive workshops, visiting domestic and foreign art exhibitions, plenaries and regular critical presentations of students work to external experts. At this stage, students are encouraged to work on regular basis, continually communicate and consult their work requiring strong work and creative engagement on their part. The environment of the studio, "creative dictatorship", is needed for the deeper immersion into selected subjects.
Language of instruction
Number of ECTS credits
Mode of study
Guarantor
Department
Entry knowledge
Rules for evaluation and completion of the course
-presence and participation in all mandatory regular consultations of semester projects (once a week)
-active participation in regular atelier projects and their consequent presentation (twice per semester)
-ability to reflect/accept recommendations resulting from consultations of semester projects
-fulfilling given tasks
-participation in atelier workshops and collaborative projects
-participation in the plenary
-evident interest in contemporary art
Presence is confirmed by signing the attendance list. One unexcused absence is allowed per semester.
Atelier exam is evaluated by a commission.
Mandatory regular consultation of semester project (weekly), active participation and presentation of created studio works at regular studio examinations (twice per semester), participating on studio workshops and collaborative studio projects, evident interest in the contemporary art.
Attendance list. Proven continuous work on the school premises.
A single absence at studio consultations is allowed.
Aims
Knowledge of basic technological and artistic rules of the main graphic techniques. More advanced understanding of: linocut, dry point, monotype and transfer/copier process. Ability to transform graphic techniques in the contemporary art into thematic and conceptual issues. Advanced experience with linear and diary small-format drawings. Practical experience with themes utilizing drawing 'genres'. Knowledge of Czech and world contemporary art.
Study aids
Prerequisites and corequisites
Basic literature
Recommended reading
Časopis X
Edward Lucie Smith, Artoday (EN)
Emma Dexter, Vitamin D: New Perspectives in Drawing (EN)
Helena Zápalková-Zdena Lindovská, Umění grafiky. Grafické techniky v průběhu šesti století (CS)
Roland Barthes, Světlá komora / poznáky k fotografii, (CS)
Vladimír Kokolia, Slovník Grafiky 2, 2008
Classification of course in study plans
Type of course unit
Lecture
Teacher / Lecturer
Syllabus
Schedule:
1. Definition of the topic of artistic research or the author's project (alteration in the form of a possible atelier assignment).
2. Brainstorming, artistic research, experimentation, verification, variation.
3. Presentation and defense of studio criticism.
4. Participation in all joint events - namely plain-air workshop, studio workshops, excursions and events according to the program of the entire studio.
5. Installation, presentation and defense of semestral work.
6. Participation in a public presentation on an open day.
Seminar
Teacher / Lecturer
Syllabus