Course detail
Studio III - Drawing and Printmaking - winter
FaVU-B3GR-ZAcad. year: 2023/2024
Students utilize acquired knowledge about drawing and graphics towards discovering new possibilities and media. The emphasis of the third year of the studies is to work outside of known boundaries, conceptual overlaps and stepping into the unknown through creative experiments. Team adheres to the 'studio rules' and develops advanced traditional techniques both collaboratively and individually. These techniques are conceptualized and critically judged by students. During their studies, students regularly travel to nearby art metropolis. Visits to ongoing exhibits, art centers, independent culture platforms and studios all contribute to broadening students' horizons and encourage them to challange the way they contemplate about presence and future.
Language of instruction
Number of ECTS credits
Mode of study
Guarantor
Department
Entry knowledge
Rules for evaluation and completion of the course
-presence and participation in all mandatory regular consultations of semester projects (once a week)
-active participation in regular atelier projects and their consequent presentation (twice per semester)
-ability to reflect/accept recommendations resulting from consultations of semester projects
-fulfilling given tasks
-participation in atelier workshops and collaborative projects
-participation in the plenary
-evident interest in contemporary art
Presence is confirmed by signing the attendance list. One unexcused absence is allowed per semester.
Atelier exam is evaluated by a commission.
Mandatory regular consultation of semester project (weekly), active participation and presentation of created studio works at regular studio examinations (twice per semester), participating on studio workshops and collaborative studio projects, evident interest in the contemporary art.
Attendance list. Proven continuous work on the school premises.
A single absence at studio consultations is allowed.
Aims
Ability to work with acquired graphic techinques (linocut, dry point, monotype,transfer/copier process and imprinting) extending beyond the chosen medium. Advanced experience with linear and diary small-format drawings. Practical experience with themes utilizing drawing 'genres'. Understanding the possibilities of conceptual utilization of mass reproduction graphic techniques - processability, materiality, recording, reduction and their innovative creative transformation. Utilizing classic drawing and graphic techniques in practice, ability to create an individual project requiring minimal supervision.
Study aids
Prerequisites and corequisites
Basic literature
Helena Bendová, Matěj Strnad (eds.), Spoločenské vědy a audiovize (CS)
Helena Zápalková-Zdenka Lindovská, Umění grafiky: grafické techniky v průběhu šesti století (CS)
Recommended reading
Don Thompson, Jak prodat vycpaného žraloka za 12 milionů dolarů (CS)
Emma Dexter, Vitamin D: New Perspectives in Drawing (EN)
Kenneth Beittel, Mind and Context in the Art of Drawing (EN)
Omar Kholeif (ed.) You Are Here. Art Afer the Internet (EN)
Vladimír Kokolia, Slovník Grafiky 2, 2008
Classification of course in study plans
Type of course unit
Lecture
Teacher / Lecturer
Syllabus
Schedule:
1. Definition of the topic of artistic research or the author's project (alteration in the form of a possible atelier assignment).
2. Brainstorming, artistic research, experimentation, verification, variation.
3. Presentation and defense of studio criticism.
4. Participation in all joint events - namely plain-air workshop, studio workshops, excursions and events according to the program of the entire studio.
5. Installation, presentation and defense of semestral work.
6. Participation in a public presentation on an open day.
Seminar
Teacher / Lecturer
Syllabus