Course detail
Studio III - Painting 3 - summer
FaVU-B3M3-LAcad. year: 2023/2024
Under the guidance of their teacher, students learn to interconnect acquired experience and knowledge. They co-operate with their teacher on the specification of their assignments and examine the possibilities of their solutions. They include the knowledge gained in theoretic subjects in their studio work.
Language of instruction
Number of ECTS credits
Mode of study
Guarantor
Department
Entry knowledge
Mastering the theory and practice of the subject.
Rules for evaluation and completion of the course
Semester exam project.
Lessons are mandatory.
Aims
The goal of the training in Painting Studio 3 is to establish a thriving, authentic and innovative art practice.
Interconnection of the basics of theoretic studies with practical atelier work.
Study aids
Prerequisites and corequisites
- compulsory prerequisite
Atelier III - Painting 3 - winter
Basic literature
BOIS, Yve-Alain, BUCHLOH Benjamin, FOSTER Hal, KRAUS Rosalind, Umění po roce 1900: Modernismus, antimodernismus, postmodernismus, Praha: Slovart CZ, 2007. ISBN: 9788092079528 (CS)
FEXOVÁ Patricie (ed.), Souvislá vrstva: Konference o současné malbě, Praha: UMPRUM, 2017. https://www.umprum.cz/web/cs/nakladatelstvi/katalogy-skripta-sborniky/souvisla-vrstva -6676 (CS)
Petříček Miroslav, Myšlení obrazem, Praha: Herrmann & synové, 2009, ISBN: 9788087054185 (CS)
Vassily Kandinsky, O duchovnosti v umění, Triáda, 1998
Recommended reading
Classification of course in study plans
Type of course unit
Lecture
Teacher / Lecturer
Syllabus
The regular presentation of one's work, together with related topics, in group consultations helps learners to formulate their own artistic stance, while encouraging openness, understanding and respect for other views and attitudes, which form the basis of a mutually enriching discussion.
Individual consultations with supervisors will allow for a more thorough reflection of the emerging work, mapping the possibilities of its development and setting a specific direction or topics for processing.
Classes include visits of exhibitions, artist talks and group critiques with guest artists, theorists and other professionals with relevant and inspiring practice, and joint training in the form of a workshop or plein-air session.
Students are motivated to complete internships in other studios of FFA and other art schools in the Czech Republic and abroad.
Seminar
Teacher / Lecturer
Syllabus