Course detail
Studio IV - Drawing and Printmaking - summer
FaVU-B4GR-LAcad. year: 2019/2020
The 4th year students are encouraged to expand their skills and critical formulation towards adequate theoretical reflection in contemporary art and graphics. Students utilize traditional graphic techniques which they develop and regroup into new media, reflecting more intensely current tendencies in art and visual culture. They should be able to pick specific tendencies to form own individual expression. The summer semester encourages students to present their projects to the public. Students consult their projects with an expert developing the concept for the final bachelor degree project. As a result, students create and finalize their projects reflecting their own long-term research of art.
Language of instruction
Number of ECTS credits
Mode of study
Guarantor
Department
Learning outcomes of the course unit
Prerequisites
Co-requisites
Planned learning activities and teaching methods
Assesment methods and criteria linked to learning outcomes
-presence and participation in all mandatory regular consultations of semester projects (once a week)
-active participation in regular atelier projects and their consequent presentation (twice per semester)
-ability to reflect/accept recommendations resulting from consultations of semester projects
-fulfilling given tasks
-participation in atelier workshops and collaborative projects
-participation in the plenary
-evident interest in contemporary art
Presence is confirmed by signing the attendance list. One unexcused absence is allowed per semester.
Atelier exam is evaluated by a commission.
Course curriculum
Schedule:
1. Definition of the topic of artistic research or the author's project (alteration in the form of a possible atelier assignment).
2. Brainstorming, artistic research, experimentation, verification, variation.
3. Presentation and defense of studio criticism.
4. Participation in all joint events - namely plain-air workshop, studio workshops, excursions and events according to the program of the entire studio.
5. Installation, presentation and defense of semestral work.
6. Participation in a public presentation on an open day.
Work placements
Aims
Specification of controlled education, way of implementation and compensation for absences
Attendance list. Proven continuous work on the school premises.
A single absence at studio consultations is allowed.
Recommended optional programme components
Prerequisites and corequisites
- compulsory prerequisite
Atelier IV - Graphics - winter
Basic literature
Gilles Deleuze, Félix Guattari, Tisíc plošin (CS)
Michal Šedík, Filozofia umenia / Analytická tradícia (CS)
Peter Bůrger, Teorie avantgardy / Stárnutí moderny / Stati o výtvarném umění (CS)
Tomáš Dvořák (ed.), Kapitoly z dějin a teorie médií (CS)
Recommended reading
Brian O´Doherty, Uvnitř bile krychle
Časopis X (SK)
Emma Dexter, Vitamin D: New Perspectives in Drawing (EN)
Vladimír Kokolia, Slovník Grafiky 2, 2008
Classification of course in study plans
Type of course unit
Seminar
Teacher / Lecturer
Syllabus