Branch Details
Visual Art - Fine Art
Original title in Czech: Výtvarná tvorbaFaVUAbbreviation: VU-VTAcad. year: 2020/2021Specialisation: Drawing and Graphics Studio
Programme: Fine Arts
Length of Study: 2 years
Accredited from: 1.12.2015Accredited until: 31.12.2024
Profile
The Fine Art field of study is practiced in three painting studios (Painting 1 – 3), two sculpture studios (Sculpture 1,2), and in the Studio of Drawing and Graphics. This field represents traditional artistic disciplines which have not lost their relevance even in an era characterized as “post-media.” In the spheres of painting and sculpture, the existence of several studios reflects the inner diversity of artistic practices in these disciplines. Students can choose between studios focusing on traditional issues, such as figurative sculpture or painting on the one hand and between studios accentuating the development which these traditional disciplines have undergone and which could be characterized, in the words of Rasalind Krauss, as the movement in “expanded field”. Seen through this optics, painting, sculpture, drawing, or graphics are not self-enclosed disciplines following exclusively the specificity of each medium. On the contrary, they are open to experiment, intermedia overlaps, conceptual thinking, and deconstruction – all these approaches being indispensable if these disciplines are to maintain a living contact with changing social and cultural reality.
All the above mentioned studios and the field of study as a whole still, nevertheless, put an emphasis on the mastering of the technical aspects of the given discipline – a vital condition for the development of an autonomous artistic personality. Different technological courses are taught in which students learn about traditional and new materials and technological procedures. Drawing is also strongly emphasized in this field.
Apart from studio courses, students have to pass a number of theoretical courses.
Key learning outcomes
Graduates in the BA program have an overall knowledge across the whole discipline. They are able to adequately choose and master different means of expression and technologies. Graduates are competent to understand and master technologies relevant to the particular disciplines. They are also competent in basic administrative skills which enable them to develop their professional activities.
Occupational profiles of graduates with examples
The graduate of the Fine Art field of study is a strong personality with the potential to succeed in the art world. The acquired competencies enable graduates to seek jobs in neighboring disciplines, such as art pedagogy, graphic design, or curating. Mastering technologies provides the graduates for an independent development of their own artistic goals. Knowledge gained in the art theory and art history courses enable the graduates to maintain critical distance from their own artistic endeavors (which distinguishes them from amateurs).
Guarantor
Course structure diagram with ECTS credits
Abbreviation | Title | L. | Cr. | Com. | Compl. | Hr. range | Gr. | Op. |
---|---|---|---|---|---|---|---|---|
ENAR | Entering the Art World | en | 3 | Compulsory | Cr | P - 13 / C1 - 13 | yes | |
M1GR-Z | Studio Follow-up I - Drawing and Printmaking - winter | cs | 18 | Compulsory | Cr,Ex | P - 39 / S - 195 | yes | |
CPZZ-I | Master's State Examination Seminar 1 | cs | 2 | Compulsory | Cr | S - 26 | yes | |
2U2000-Z | Art after 2000 | cs | 4 | Compulsory | Ex | P - 10 / S - 16 | yes | |
ATGD | Graphic design topics of today | cs | 2 | Elective | Cr | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
ANUP | Analyzing the Art of Performance | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
2AINV/M-Z | English Intermediate MA 1 - winter | en | 3 | Elective | Cr,Ex | S - 52 / S - 52 | yes | |
2UPPV-M-Z | English Upper Intermediate Higher 3 - MA - Winter | en | 3 | Elective | Cr,Ex | S - 26 / S - 26 | yes | |
2AU-L | The Antropology of Art | cs | 3 | Elective | Ex | P - 54 / P - 54 | no | |
ACHE20 | Architecture of the 20th century | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
2A1956 | Around 1956: the Culture of the Mid Fifties | en | 4 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | no | |
ACP-L | Art, Commerce, Power | en | 4 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | no | |
2ACT | Artists and Curators in Texts | en | 4 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
CESTY1 | Towards a post-artistic practice 1 | cs | 2 | Elective | Cr | P - 12 / P - 12 / S - 4 / S - 4 / CPR - 4 / CPR - 4 | yes | |
DEDE2-Z | History of Design 2 - winter | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
FEMS1 | Feminist Seminar 1 | en | 3 | Elective | Cr | P - 5 / P - 5 / S - 8 / S - 8 | yes | |
GPTSU | Gallery Management and Market With Contemporary Art | cs | 2 | Elective | Cr | P - 7 / P - 7 / S - 6 / S - 6 | no | |
GEN | Game Engines | en | 3 | Elective | Cr | Cp - 24 / Cp - 24 | no | |
2KNM-Z | The Canon Of New media Art. The best of new media art 1 | cs | 3 | Elective | Ex | S - 26 / S - 26 | yes | |
HITECH1 | Hi Tech Painting 1 | cs | 2 | Elective | Cr | P - 14 / P - 14 / EX - 6 / EX - 6 / C1 - 6 / C1 - 6 | yes | |
2USIM-I | New Media Art 1 | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
KRIT1 | Practical introduction to critical theory 1 | cs | 2 | Elective | Cr | S - 26 / S - 26 | no | |
2PSU | Art Psychology | cs | 3 | Elective | Cr,Ex | P - 26 / P - 26 | yes | |
RAIM | Radical imagination | en | 3 | Elective | Cr | P - 13 / P - 13 / S - 13 / S - 13 | no | |
1ZT-Z | Sound Art and Experimental Music | cs | 2 | Elective | Cr | P - 13 / P - 13 / ST - 13 / ST - 13 | yes | |
VUBAI-Z | Fine Art in Brno Architecture (1948–1989) 1 | cs | 3 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
3DMDG | 3D Modeling for Digital Games | en | 3 | Elective | Cr | Cp - 32 / Cp - 32 | yes |
Abbreviation | Title | L. | Cr. | Com. | Compl. | Hr. range | Gr. | Op. |
---|---|---|---|---|---|---|---|---|
M1GR-L | Studio Follow-up I - Drawing and Printmaking - summer | cs | 18 | Compulsory | Cr,Ex | P - 39 / S - 195 | yes | |
CPZZ-II | Master's State Examination seminar 2 | cs | 2 | Compulsory | Cr | S - 26 | yes | |
TU-L | Theory and Art in the 20th Century 1 - summer | cs | 3 | Compulsory | Ex | P - 26 | yes | |
2AINV/M-L | English Intermediate MA 2 - Summer | en | 3 | Elective | Cr,Ex | S - 52 / S - 52 | yes | |
2UPPV-M-L | English Upper Intermediate Higher 4 - MA - Summer | en | 3 | Elective | Cr,Ex | S - 26 / S - 26 | yes | |
ATP3 | Applied Technology of Painting 3 | en | 3 | Elective | Cr | P - 8 / P - 8 / L - 18 / L - 18 | yes | |
1ZT-L | Audio Workshop | cs | 2 | Elective | Cr | CPR - 26 / CPR - 26 | yes | |
CESTY2 | Towards a post-artistic practice 2 | cs | 2 | Elective | Cr | P - 12 / P - 12 / S - 4 / S - 4 / CPR - 4 / CPR - 4 | yes | |
DEDE2-L | History of Design 2 - summer | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
DKPR | Design as a Critical Practice | cs | 4 | Elective | Cr,Ex | P - 6 / P - 6 / K - 12 / K - 12 / S - 6 / S - 6 / VT - 15 / VT - 15 | yes | |
FEMS2 | Feminist Seminar 2 | en | 3 | Elective | Cr | P - 5 / P - 5 / S - 8 / S - 8 | yes | |
INFZD-L | Information Resources for BUT Students | cs | 1 | Elective | Cr | CPP - 13 / CPP - 13 | yes | |
2KNM-L | The Canon Of New media Art. The best of new media art 2 | cs | 3 | Elective | Ex | S - 26 / S - 26 | yes | |
KLAGRAF | Classical Printmaking: Technology - History - Practice | cs | 2 | Elective | Cr | P - 16 / P - 16 / C1 - 10 / C1 - 10 | no | |
HITECH2 | Hi Tech Painting 2 | cs | 2 | Elective | Cr | K - 6 / K - 6 / C1 - 20 / C1 - 20 | yes | |
MTGI | Mind, Body, Gesture and Idea: Forms of Czechoslovak Art from 1960s to Early 1990s | cs | 2 | Elective | Cr | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
2USIM-II | New Media Art 2 | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
OK-L | On Curating. Theory and Practice. | cs | 2 | Elective | Cr | P - 13 / P - 13 / S - 13 / S - 13 | no | |
KRIT2 | Practical introduction to critical theory 2 | cs | 2 | Elective | Cr | S - 26 / S - 26 | no | |
PROPR | Nature after nature | cs | 2 | Elective | Cr | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
SODM | Sound Design and Mastering | en | 3 | Elective | Cr | K - 13 / K - 13 / CPR - 13 / CPR - 13 | yes | |
STUP | Performance Studies | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
2SACA-L | Subversive Art, Collusive Art | en | 4 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | no | |
TAIF2 | The Art of Interpreting Film 2 | en | 4 | Elective | Ex | P - 13 / P - 13 / S - 26 / S - 26 | yes | |
TPTCHP | Traditional printmaking techniques: context – history – praxis | en | 3 | Elective | Cr | P - 8 / P - 8 / CPR - 10 / CPR - 10 / EX - 8 / EX - 8 | yes | |
UA-L | Art – architecture | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
2U2000-L | Art after 2000 (seminar) | cs | 2 | Elective | Cr | S - 13 / S - 13 | no | |
2USP | The Art of Collaboration | cs | 3 | Elective | Ex | P - 26 / P - 26 | no | |
UMFP | Art in Public Space. The Investor, the Function, Perception | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
VAMM | Visual Anthropology and Contemporary Art | cs | 3 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
VUBAII-L | Fine Art in Brno Architecture (1948–1989) 2 | cs | 3 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | yes |
Abbreviation | Title | L. | Cr. | Com. | Compl. | Hr. range | Gr. | Op. |
---|---|---|---|---|---|---|---|---|
M2GR-Z | Studio Follow-up II - Drawing and Printmaking - winter | cs | 15 | Compulsory | Cr | S - 195 | yes | |
SSZZ | Master's State Examination Seminar 3 | cs | 5 | Compulsory | Cr | K - 9 / S - 4 | yes | |
TU-Z | Theory and Art in the 20th Century 2 - winter | cs | 3 | Compulsory | Ex | P - 26 | yes | |
ATGD | Graphic design topics of today | cs | 2 | Elective | Cr | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
ANUP | Analyzing the Art of Performance | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
2AINV/M-Z | English Intermediate MA 1 - winter | en | 3 | Elective | Cr,Ex | S - 52 / S - 52 | yes | |
2UPPV-M-Z | English Upper Intermediate Higher 3 - MA - Winter | en | 3 | Elective | Cr,Ex | S - 26 / S - 26 | yes | |
2AU-L | The Antropology of Art | cs | 3 | Elective | Ex | P - 54 / P - 54 | no | |
ACHE20 | Architecture of the 20th century | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
2A1956 | Around 1956: the Culture of the Mid Fifties | en | 4 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | no | |
ACP-L | Art, Commerce, Power | en | 4 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | no | |
2ACT | Artists and Curators in Texts | en | 4 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
CESTY1 | Towards a post-artistic practice 1 | cs | 2 | Elective | Cr | P - 12 / P - 12 / S - 4 / S - 4 / CPR - 4 / CPR - 4 | yes | |
DEDE2-Z | History of Design 2 - winter | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
FEMS1 | Feminist Seminar 1 | en | 3 | Elective | Cr | P - 5 / P - 5 / S - 8 / S - 8 | yes | |
GPTSU | Gallery Management and Market With Contemporary Art | cs | 2 | Elective | Cr | P - 7 / P - 7 / S - 6 / S - 6 | no | |
GEN | Game Engines | en | 3 | Elective | Cr | Cp - 24 / Cp - 24 | no | |
2KNM-Z | The Canon Of New media Art. The best of new media art 1 | cs | 3 | Elective | Ex | S - 26 / S - 26 | yes | |
HITECH1 | Hi Tech Painting 1 | cs | 2 | Elective | Cr | P - 14 / P - 14 / EX - 6 / EX - 6 / C1 - 6 / C1 - 6 | yes | |
2USIM-I | New Media Art 1 | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
KRIT1 | Practical introduction to critical theory 1 | cs | 2 | Elective | Cr | S - 26 / S - 26 | no | |
2PSU | Art Psychology | cs | 3 | Elective | Cr,Ex | P - 26 / P - 26 | yes | |
RAIM | Radical imagination | en | 3 | Elective | Cr | P - 13 / P - 13 / S - 13 / S - 13 | no | |
1ZT-Z | Sound Art and Experimental Music | cs | 2 | Elective | Cr | P - 13 / P - 13 / ST - 13 / ST - 13 | yes | |
VUBAI-Z | Fine Art in Brno Architecture (1948–1989) 1 | cs | 3 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
3DMDG | 3D Modeling for Digital Games | en | 3 | Elective | Cr | Cp - 32 / Cp - 32 | yes |
Abbreviation | Title | L. | Cr. | Com. | Compl. | Hr. range | Gr. | Op. |
---|---|---|---|---|---|---|---|---|
DIPLMGR | Dimploma seminar for graduate students | cs | 5 | Compulsory | Cr | K - 10 / S - 6 | yes | |
M2GR-L | Studio Follow-up II - Drawing and Printmaking - summer | cs | 15 | Compulsory | Cr | S - 195 | yes | |
SZK-P | Practical Diploma Project (magisterial cycle) | cs, en | 0 | Compulsory | Cr | - 13 | yes | |
2AINV/M-L | English Intermediate MA 2 - Summer | en | 3 | Elective | Cr,Ex | S - 52 / S - 52 | yes | |
2UPPV-M-L | English Upper Intermediate Higher 4 - MA - Summer | en | 3 | Elective | Cr,Ex | S - 26 / S - 26 | yes | |
ATP3 | Applied Technology of Painting 3 | en | 3 | Elective | Cr | P - 8 / P - 8 / L - 18 / L - 18 | yes | |
1ZT-L | Audio Workshop | cs | 2 | Elective | Cr | CPR - 26 / CPR - 26 | yes | |
CESTY2 | Towards a post-artistic practice 2 | cs | 2 | Elective | Cr | P - 12 / P - 12 / S - 4 / S - 4 / CPR - 4 / CPR - 4 | yes | |
DEDE2-L | History of Design 2 - summer | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
DKPR | Design as a Critical Practice | cs | 4 | Elective | Cr,Ex | P - 6 / P - 6 / K - 12 / K - 12 / S - 6 / S - 6 / VT - 15 / VT - 15 | yes | |
FEMS2 | Feminist Seminar 2 | en | 3 | Elective | Cr | P - 5 / P - 5 / S - 8 / S - 8 | yes | |
INFZD-L | Information Resources for BUT Students | cs | 1 | Elective | Cr | CPP - 13 / CPP - 13 | yes | |
2KNM-L | The Canon Of New media Art. The best of new media art 2 | cs | 3 | Elective | Ex | S - 26 / S - 26 | yes | |
KLAGRAF | Classical Printmaking: Technology - History - Practice | cs | 2 | Elective | Cr | P - 16 / P - 16 / C1 - 10 / C1 - 10 | no | |
HITECH2 | Hi Tech Painting 2 | cs | 2 | Elective | Cr | K - 6 / K - 6 / C1 - 20 / C1 - 20 | yes | |
MTGI | Mind, Body, Gesture and Idea: Forms of Czechoslovak Art from 1960s to Early 1990s | cs | 2 | Elective | Cr | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
2USIM-II | New Media Art 2 | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
OK-L | On Curating. Theory and Practice. | cs | 2 | Elective | Cr | P - 13 / P - 13 / S - 13 / S - 13 | no | |
KRIT2 | Practical introduction to critical theory 2 | cs | 2 | Elective | Cr | S - 26 / S - 26 | no | |
PROPR | Nature after nature | cs | 2 | Elective | Cr | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
SODM | Sound Design and Mastering | en | 3 | Elective | Cr | K - 13 / K - 13 / CPR - 13 / CPR - 13 | yes | |
STUP | Performance Studies | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
2SACA-L | Subversive Art, Collusive Art | en | 4 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | no | |
TAIF2 | The Art of Interpreting Film 2 | en | 4 | Elective | Ex | P - 13 / P - 13 / S - 26 / S - 26 | yes | |
TPTCHP | Traditional printmaking techniques: context – history – praxis | en | 3 | Elective | Cr | P - 8 / P - 8 / CPR - 10 / CPR - 10 / EX - 8 / EX - 8 | yes | |
UA-L | Art – architecture | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
2U2000-L | Art after 2000 (seminar) | cs | 2 | Elective | Cr | S - 13 / S - 13 | no | |
2USP | The Art of Collaboration | cs | 3 | Elective | Ex | P - 26 / P - 26 | no | |
UMFP | Art in Public Space. The Investor, the Function, Perception | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
VAMM | Visual Anthropology and Contemporary Art | cs | 3 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
VUBAII-L | Fine Art in Brno Architecture (1948–1989) 2 | cs | 3 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | yes |