Branch Details
Visual Art - Fine Art
Original title in Czech: Výtvarná tvorbaFaVUAbbreviation: VU-VTAcad. year: 2023/2024Specialisation: Painting Studio 3
Programme: Fine Arts
Length of Study: 2 years
Accredited from: 1.12.2015Accredited until: 31.12.2024
Profile
The Fine Art field of study is practiced in three painting studios (Painting 1 – 3), two sculpture studios (Sculpture 1,2), and in the Studio of Drawing and Graphics. This field represents traditional artistic disciplines which have not lost their relevance even in an era characterized as “post-media.” In the spheres of painting and sculpture, the existence of several studios reflects the inner diversity of artistic practices in these disciplines. Students can choose between studios focusing on traditional issues, such as figurative sculpture or painting on the one hand and between studios accentuating the development which these traditional disciplines have undergone and which could be characterized, in the words of Rasalind Krauss, as the movement in “expanded field”. Seen through this optics, painting, sculpture, drawing, or graphics are not self-enclosed disciplines following exclusively the specificity of each medium. On the contrary, they are open to experiment, intermedia overlaps, conceptual thinking, and deconstruction – all these approaches being indispensable if these disciplines are to maintain a living contact with changing social and cultural reality.
All the above mentioned studios and the field of study as a whole still, nevertheless, put an emphasis on the mastering of the technical aspects of the given discipline – a vital condition for the development of an autonomous artistic personality. Different technological courses are taught in which students learn about traditional and new materials and technological procedures. Drawing is also strongly emphasized in this field.
Apart from studio courses, students have to pass a number of theoretical courses.
Key learning outcomes
Graduates in the BA program have an overall knowledge across the whole discipline. They are able to adequately choose and master different means of expression and technologies. Graduates are competent to understand and master technologies relevant to the particular disciplines. They are also competent in basic administrative skills which enable them to develop their professional activities.
Occupational profiles of graduates with examples
The graduate of the Fine Art field of study is a strong personality with the potential to succeed in the art world. The acquired competencies enable graduates to seek jobs in neighboring disciplines, such as art pedagogy, graphic design, or curating. Mastering technologies provides the graduates for an independent development of their own artistic goals. Knowledge gained in the art theory and art history courses enable the graduates to maintain critical distance from their own artistic endeavors (which distinguishes them from amateurs).
Guarantor
Course structure diagram with ECTS credits
Abbreviation | Title | L. | Cr. | Com. | Compl. | Hr. range | Gr. | Op. |
---|---|---|---|---|---|---|---|---|
M1M3-Z | Studio Follow-up I - Painting 3 - winter | cs | 18 | Compulsory | Cr,Ex | P - 39 / S - 195 | yes | |
CPZZ-I | Master's State Examination Seminar 1 | cs | 2 | Compulsory | Cr | S - 26 | yes | |
2U1989-1 | Art After 1989 1 | cs | 3 | Compulsory | Ex | P - 14 / S - 12 | yes | |
2FQCCA | Feminist and Queer Context of Czech Art History | en | 4 | Compulsory-optional | Ex | P - 13 / S - 13 | 1 | yes |
2FQI | Feminist (and) Queer Issues in Art, Film, and beyond (1970–1990s) | en | 3 | Compulsory-optional | Cr | S - 26 / S - 26 | 1 | yes |
FEMS1 | Feminist Seminar 1 | en | 3 | Compulsory-optional | Cr | P - 5 / P - 5 / S - 8 / S - 8 | 1 | yes |
2AUDITE | Introduction to Sound | en | 3 | Compulsory-optional | Cr | P - 13 / P - 13 / CPR - 13 / CPR - 13 | 1 | yes |
TAIF | The Art of Interpreting Film 1 | en | 4 | Compulsory-optional | Ex | P - 13 / P - 13 / S - 26 / S - 26 | 1 | yes |
ANUP | Analysis of Performativity | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
2ACT | Artists and Curators in Texts | en | 4 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
2CP2P | Commons and P2P | cs | 3 | Elective | Cr | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
HITECH1 | Expanded Painting 1 | cs | 2 | Elective | Cr | P - 14 / P - 14 / EX - 6 / EX - 6 / C1 - 6 / C1 - 6 | yes | |
GPTSU | Galleries and Art Market in Practice | cs | 2 | Elective | Cr | P - 7 / P - 7 / S - 6 / S - 6 | yes | |
2KNM-Z | The Canon Of New media Art. The best of new media art 1 | cs | 3 | Elective | Ex | S - 26 / S - 26 | yes | |
1MvA1 | Painting in architecture 1 | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
2USIM-I | New Media Art 1 | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
2PSU | Psychology and Art | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
2SUS | Net – art – software | cs, en | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
1SMaD1 | Systems Thinking and Design 1 | cs | 2 | Elective | Col | P - 12 / P - 12 / S - 12 / S - 12 | yes | |
VUBAI-Z | Fine Art in Brno Architecture (1948–1989) | cs | 3 | Elective | Ex | P - 24 / P - 24 / EX - 2 / EX - 2 | yes | |
2WAT1 | Audiovisual Technologies Workshop 1 | cs | 1 | Elective | Cr | ST - 20 / ST - 20 | yes | |
2WAT3 | Audiovisual Technologies Workshop 3 | cs | 1 | Elective | Cr | ST - 20 / ST - 20 | yes |
Abbreviation | Title | L. | Cr. | Com. | Compl. | Hr. range | Gr. | Op. |
---|---|---|---|---|---|---|---|---|
M1M3-L | Studio Follow-up I - Painting 3 - summer | cs | 18 | Compulsory | Cr,Ex | P - 39 / S - 195 | yes | |
CPZZ-II | Master's State Examination seminar 2 | cs | 2 | Compulsory | Cr | S - 26 | yes | |
TU-L | Theory and Art in the 20th Century 1 - summer | cs | 3 | Compulsory | Ex | P - 26 | yes | |
2U1989-2 | Art After 1989 2 | cs | 3 | Compulsory | Ex | P - 14 / S - 12 | yes | |
4CiST | Curating in a Shifting Terrain | en | 4 | Compulsory-optional | Ex | P - 26 / P - 26 | 1 | yes |
FEMS2 | Feminist Seminar 2 | en | 3 | Compulsory-optional | Cr | P - 5 / P - 5 / S - 8 / S - 8 | 1 | yes |
4PAM | Plant, animal, mineral: plants and other natural entities in contemporary art | en | 3 | Compulsory-optional | Col | P - 12 / P - 12 / ST - 9 / ST - 9 / EX - 8 / EX - 8 | 1 | yes |
2RMAD-S | Race, Modern Art and Design | en | 4 | Compulsory-optional | Ex | P - 26 / P - 26 | 1 | yes |
SODM | Sound Design and Mastering | en | 3 | Compulsory-optional | Cr | K - 13 / K - 13 / CPR - 13 / CPR - 13 | 1 | yes |
2UPPV-M-L | English Upper Intermediate Higher 4 - MA - Summer | en | 3 | Elective | Cr,Ex | S - 26 / S - 26 | yes | |
ATP3 | Applied Technology of Painting 3 | en | 3 | Elective | Cr | P - 8 / P - 8 / L - 18 / L - 18 | yes | |
1ZT-L | Audio Workshop | cs | 2 | Elective | Cr | CPR - 26 / CPR - 26 | yes | |
HITECH2 | Expanded Painting 2 | cs | 2 | Elective | Cr | K - 6 / K - 6 / C1 - 20 / C1 - 20 | yes | |
GEN | Game Engines | en | 3 | Elective | Cr | Cp - 24 / Cp - 24 | yes | |
INFZD-L | Information Resources for BUT Students | cs | 1 | Elective | Cr | CPP - 13 / CPP - 13 | yes | |
2KNM-L | The Canon Of New media Art. The best of new media art 2 | cs | 3 | Elective | Ex | S - 26 / S - 26 | yes | |
2KvP | Curating in Practice | cs | 2 | Elective | Cr | S - 26 / S - 26 | yes | |
1MvA2 | Painting in Architecture 2 | cs | 2 | Elective | Cr | P - 8 / P - 8 / CPR - 18 / CPR - 18 | yes | |
2USIM-II | New Media Art 2 | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
PROPR | Nature after nature | cs | 2 | Elective | Cr | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
1SMaD2 | Systems thinking and design 2 | cs | 2 | Elective | Cr | P - 4 / P - 4 / S - 12 / S - 12 / EX - 8 / EX - 8 | yes | |
STUP | Performativity Theory | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
TPTCHP | Traditional printmaking techniques: context – history – practice | en | 3 | Elective | Cr | P - 8 / P - 8 / CPR - 10 / CPR - 10 / EX - 8 / EX - 8 | no | |
UA-L | Art and Architecture | cs | 2 | Elective | Cr | P - 26 / P - 26 | no | |
UMFP | Art in Public Space. The Investor, the Function, Perception | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
VAMM | Visual Anthropology and Contemporary Art | cs | 3 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | no | |
2WAT2 | Audiovisual Technologies Workshop 2 | cs | 1 | Elective | Cr | ST - 20 / ST - 20 | yes | |
1PAM | Plant, animal, mineral: plants and other natural entities in contemporary art | cs | 3 | Elective | Col | P - 12 / P - 12 / ST - 9 / ST - 9 / EX - 8 / EX - 8 | no | |
3DMDG | 3D Modeling for Digital Games | en | 3 | Elective | Cr | Cp - 32 / Cp - 32 | yes |
Abbreviation | Title | L. | Cr. | Com. | Compl. | Hr. range | Gr. | Op. |
---|---|---|---|---|---|---|---|---|
M2M3-Z | Studio Follow-up II - Painting 3 - winter | cs | 15 | Compulsory | Cr | S - 195 | yes | |
SSZZ | Master's State Examination Seminar 3 | cs | 5 | Compulsory | Cr | K - 9 / S - 4 | yes | |
TU-Z | Theory and Art in the 20th Century 2 - winter | cs | 3 | Compulsory | Ex | P - 26 | yes | |
ANUP | Analysis of Performativity | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
ACP-L | Art, Commerce, Power | en | 4 | Elective | Ex | P - 13 / S - 13 | no | |
2ACT | Artists and Curators in Texts | en | 4 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
2CP2P | Commons and P2P | cs | 3 | Elective | Cr | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
HITECH1 | Expanded Painting 1 | cs | 2 | Elective | Cr | P - 14 / P - 14 / EX - 6 / EX - 6 / C1 - 6 / C1 - 6 | yes | |
2FQI | Feminist (and) Queer Issues in Art, Film, and beyond (1970–1990s) | en | 3 | Elective | Cr | S - 26 / S - 26 | yes | |
FEMS1 | Feminist Seminar 1 | en | 3 | Elective | Cr | P - 5 / P - 5 / S - 8 / S - 8 | yes | |
GPTSU | Galleries and Art Market in Practice | cs | 2 | Elective | Cr | P - 7 / P - 7 / S - 6 / S - 6 | yes | |
2AUDITE | Introduction to Sound | en | 3 | Elective | Cr | P - 13 / P - 13 / CPR - 13 / CPR - 13 | yes | |
2KNM-Z | The Canon Of New media Art. The best of new media art 1 | cs | 3 | Elective | Ex | S - 26 / S - 26 | yes | |
KLHU1 | Club Music 1 | cs | 2 | Elective | Cr | P - 6 / CPR - 18 | yes | |
1MvA1 | Painting in architecture 1 | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
2USIM-I | New Media Art 1 | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
2PSU | Psychology and Art | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
2SUS | Net – art – software | cs, en | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
1SMaD1 | Systems Thinking and Design 1 | cs | 2 | Elective | Col | P - 12 / P - 12 / S - 12 / S - 12 | yes | |
TAIF | The Art of Interpreting Film 1 | en | 4 | Elective | Ex | P - 13 / P - 13 / S - 26 / S - 26 | yes | |
VUBAI-Z | Fine Art in Brno Architecture (1948–1989) | cs | 3 | Elective | Ex | P - 24 / P - 24 / EX - 2 / EX - 2 | yes | |
2WAT1 | Audiovisual Technologies Workshop 1 | cs | 1 | Elective | Cr | ST - 20 / ST - 20 | yes | |
2WAT3 | Audiovisual Technologies Workshop 3 | cs | 1 | Elective | Cr | ST - 20 / ST - 20 | yes |
Abbreviation | Title | L. | Cr. | Com. | Compl. | Hr. range | Gr. | Op. |
---|---|---|---|---|---|---|---|---|
DIPLMGR | Dimploma seminar for graduate students | cs | 5 | Compulsory | Cr | S - 13 | yes | |
M2M3-L | Studio Follow-up II - Painting 3 - summer | cs | 15 | Compulsory | Cr | S - 195 | yes | |
2UPPV-M-L | English Upper Intermediate Higher 4 - MA - Summer | en | 3 | Elective | Cr,Ex | S - 26 / S - 26 | yes | |
ATP3 | Applied Technology of Painting 3 | en | 3 | Elective | Cr | P - 8 / P - 8 / L - 18 / L - 18 | yes | |
1ZT-L | Audio Workshop | cs | 2 | Elective | Cr | CPR - 26 / CPR - 26 | yes | |
4CiST | Curating in a Shifting Terrain | en | 4 | Elective | Ex | P - 26 / P - 26 | yes | |
HITECH2 | Expanded Painting 2 | cs | 2 | Elective | Cr | K - 6 / K - 6 / C1 - 20 / C1 - 20 | yes | |
FEMS2 | Feminist Seminar 2 | en | 3 | Elective | Cr | P - 5 / P - 5 / S - 8 / S - 8 | yes | |
GEN | Game Engines | en | 3 | Elective | Cr | Cp - 24 / Cp - 24 | yes | |
INFZD-L | Information Resources for BUT Students | cs | 1 | Elective | Cr | CPP - 13 / CPP - 13 | yes | |
2KNM-L | The Canon Of New media Art. The best of new media art 2 | cs | 3 | Elective | Ex | S - 26 / S - 26 | yes | |
2KvP | Curating in Practice | cs | 2 | Elective | Cr | S - 26 / S - 26 | yes | |
1MvA2 | Painting in Architecture 2 | cs | 2 | Elective | Cr | P - 8 / P - 8 / CPR - 18 / CPR - 18 | yes | |
2USIM-II | New Media Art 2 | cs | 3 | Elective | Ex | P - 26 / P - 26 | yes | |
4PAM | Plant, animal, mineral: plants and other natural entities in contemporary art | en | 3 | Elective | Col | P - 12 / P - 12 / ST - 9 / ST - 9 / EX - 8 / EX - 8 | yes | |
PROPR | Nature after nature | cs | 2 | Elective | Cr | P - 13 / P - 13 / S - 13 / S - 13 | yes | |
2RMAD-S | Race, Modern Art and Design | en | 4 | Elective | Ex | P - 26 / P - 26 | yes | |
SODM | Sound Design and Mastering | en | 3 | Elective | Cr | K - 13 / K - 13 / CPR - 13 / CPR - 13 | yes | |
1SMaD2 | Systems thinking and design 2 | cs | 2 | Elective | Cr | P - 4 / P - 4 / S - 12 / S - 12 / EX - 8 / EX - 8 | yes | |
STUP | Performativity Theory | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
TAIF2 | The Art of Interpreting Film 2 | en | 4 | Elective | Ex | P - 13 / S - 26 | no | |
TPTCHP | Traditional printmaking techniques: context – history – practice | en | 3 | Elective | Cr | P - 8 / P - 8 / CPR - 10 / CPR - 10 / EX - 8 / EX - 8 | no | |
UA-L | Art and Architecture | cs | 2 | Elective | Cr | P - 26 / P - 26 | no | |
UMFP | Art in Public Space. The Investor, the Function, Perception | cs | 2 | Elective | Cr | P - 26 / P - 26 | yes | |
VAMM | Visual Anthropology and Contemporary Art | cs | 3 | Elective | Ex | P - 13 / P - 13 / S - 13 / S - 13 | no | |
2WAT2 | Audiovisual Technologies Workshop 2 | cs | 1 | Elective | Cr | ST - 20 / ST - 20 | yes | |
1PAM | Plant, animal, mineral: plants and other natural entities in contemporary art | cs | 3 | Elective | Col | P - 12 / P - 12 / ST - 9 / ST - 9 / EX - 8 / EX - 8 | no | |
3DMDG | 3D Modeling for Digital Games | en | 3 | Elective | Cr | Cp - 32 / Cp - 32 | yes |
All the groups of optional courses | ||
---|---|---|
Gr. | Number of courses | Courses |
1 | 1 - 4 | 4CiST, FEMS2, 4PAM, 2RMAD-S, SODM |
1 | 1 - 4 | 2FQCCA, 2FQI, FEMS1, 2AUDITE, TAIF |